Note: There might be few spoilers in this post!
Last week I finally finished reading Valdimir Bartol’s and Slovenia’s most well-known literary work: the novel of Alamut. As I mentioned in my previous post, the novel is based on the historical legend of the Assassins: the radical Muslim sect that terrorized in the 12th and 13th centuries the Crusaders and local Muslims rulers in Iran and Syria with their assassinating daggers. According to the legend, Hasan al-Sabbah—the sect’s founder, ideologue, and military commander—used hashish to trick his would-be assassins to believe that he held the keys to Paradise, which transformed them into blind followers willing to embrace death instantly and unconditionally. The novel, however, is not limited to themes of murder, sexual lust, and religious manipulation. It is also an intellectual work that delves deeply into human beings’ conflicting quests for faith and doubt; for meaning and knowledge; for power and morality. Bartol draws on his knowledge of various currents of thought ranging from the philosophies of ancient Greece, through Nietzsche and Freud, to totalitarianism.